Showing posts with label banksy. Show all posts
Showing posts with label banksy. Show all posts

Monday, July 19, 2010

Exhibition Review: "VIVA LA REVOLUCION" at the Museum of Contemporary Art, San Diego // Public Commissions around metro San Diego



The really cool thing about hunting down the public commissions on the Museum of Contemporary Art San Diego's site locations map is that, as you turn a blind corner or approach a building, you are, for the first time, consciously looking for art. All graffiti suddenly jumps out at you from wooden fences or dirty stucco. Familiar buildings now seem to contain secret scavenger hunt clues. You watch dark fuzziness from a distance turn into a vital piece of work from a famous street artist, or merely clarify into the shadows of tree boughs. Exiting MCASD's tour de force, "VIVA LA REVOLUCION," in their downtown Jacobs Building, map in hand, you find first the Vhils piece on a wall and smile with your newfound street art knowledge. But by the time you reach 16th, you are thinking about placement the way a street artist does.

To a San Diegan, our sleepy, small town "big city" is about familiarity: knowing where places are without paying real attention to hard directions. Knowing landmarks and cardinal directions, knowing general areas, not being able to direct a stranger somewhere--it's all part and parcel to the casual lifestyle we enjoy in this beautiful city by the sea. But thanks to "VIVA LA REVOLUCION," suddenly there are new landmarks throughout the metro area. A presence of famous art now available for free public consumption. And you hunt them, experiencing the city with an alert mind rather than the casual manner we do everything else here.



"VIVA LA REVOLUCION" is an enormous artistic gift to San Diego, and yet, San Diego makes it possible. We keep a rather pristine city, so street art is still relatively noticeable. We glance it on walls, and double-take. Usually we move on, not feeling we are supposed to be seeing anything relevant to ourselves. Street artists play on that filtration process. Context is immediate in "VIVA." Guest Curator Pedro Alonzo, drawing upon Shepard Fairey's favoritism of the important work of Basquiat and Keith Haring, informs us that these two artists adopted the "style and systems of the streets." The exhibition brings together 20 international artists from 10 countries, who appropriate cities' physical elements, icons and signage to create profound socially-conscious work in a lowbrow visual dynamism.

Friday, June 4, 2010

Cinema Review: "Exit Through The Gift Shop," a Banksy film.

by Marcel Reyes

Image used is the Mister Brainwash Madonna piece that was used as cover art for her Celebration greatest hits collection.

Though ostensibly to be about the work of Banksy and street art at large, "Exit Through The Gift Shop" is a film about fanatic emulation, obsession, and deconstruction. Very funny, and at times offensive to artists and art scholars, it makes a sharp incision into the contextualization of contemporary art. The film is mainly about the life and work of Thierry (pronounced Terry) Guetta, a floater of sorts whose deep emptiness due to tragic loss and general alienation causes him to latch on to whatever has the strongest flavor nearby. In this case, Thierry is immersed in the world of street artists, who take to his gung-ho enthusiasm and his knack for recording everything on camcorder (evolving into a fabrication in which Thierry is gathering material for a first-of-its-kind documentary about street art).

From under the wing of one street artist (Space Invader)