Showing posts with label abstract. Show all posts
Showing posts with label abstract. Show all posts

Tuesday, July 27, 2010

FOX/FX, ABC, S.S. Wilson, Adrienne Wilkinson at Comic-Con

Day 3 and Day 4 of the Comic Con, most of the activity had transferred from Hall H to being primarily on the merchandise Exhibit Hall floor.


Master Amano at the "Shinjuku" panel.

In Room 8, I was able to meet a personal, and true, legend: Concept artist and illustrator Yoshitaka Amano. Many know him primarily due to his illustrations and concept art for the "Final Fantasy" franchise, and from "Vampire Hunter D." He was at the Con this year promoting his collaboration with Mink for the Dark Horse novel "Shinjuku." Mink shared his story of surprise, in that a mutual contact pitched Mink's intention for Amano to illustrate maybe just the cover or a few pages of the novel, and Amano shot back asking to illustrate the entire book. Many panel questioners gave credit to Master Amano for their own careers in illustration, and also asked him how they could buy even more merchandise. Amano said that before, he would post rare items on his site and do blitz sales for first comers, but that in the future he would like to perhaps create a stronger storefront. People, though, seem to forget that Amano himself is a fine artist, and merchandise does not really factor into the sales model of most artists, who otherwise sell original work. Mink, however, said there would plenty of Shinjuku merchandise!

More Comic-Con Days 3 and 4 review (and PHOTOS, including panels!) after the jump!

Monday, June 14, 2010

Exhibition Review: “NewAbstract Paintings” Victor Rodriguez at Scott White Contemporary Art

Connecting the Dots of Things

All images used for educational purposes only, the artwork of Victor Rodriguez shot by Jeff Lancaster for Jett Gallery. Image to the left is "NewAbstract (Universal)."

Theatrical, vivid, sensationalist... Rodriguez' work is to be viewed with the crawling eye of a paparazzo. The SWCA having been my first introduction to Victor Rodriguez, it was perhaps serendipitous that I spoke with Kathleen Crain, Assistant Director there. In the middle of raving about the work, I asked if there was an artist’s statement. Not that it is necessary, but I like hearing artists articulate their ideas most especially when I like the art. I said, “I feel like I am projecting into this my own artistic memories and context.” She responded that it is what the artist wanted people to do, to interpret the information in their own way. I considered that a direct invitation.